Infaces interpret the connection between faces of women and faces of buildings built in Belgrade in the Modern style, looking for a proof that every designing process has or is supposed to have derived from the geometry and proportions of human body. This work is also dealing with a widely accepted stereotype that women are symbols of home, family, safety… just like these buildings.
The idea is to create an atmosphere like in the street, personifying facades to seem like moving, talking and looking at the spectator.

The street front created out of these fac(ad)es brings with it an atmosphere like in the street, personifying facades to seem like moving, talking and looking at the spectator. The overlay of conversations is done to a redundant extent when all the talking turns into noise.